We laughed, we cried, we raged against the dying of the light which sought to snuff out our personal favorite shows.
We have arrived at a glorious point in history, where watching an excellent TV show might finally be intellectually on par with reading a great book. Indeed, it still feels blasphemous to utter such a statement, but the Mad Men s, True Detective s Season One, ahemTransparent s and Underground s of Redhead family sit com world have forever changed things.
And Peak TV did not invent good storytelling in episodic form. The sitcom did that, and though it has evolved and morphed into the stuff of dreams, it always had those high-brow, cinematic qualities in its fiber. Some of our favorites managed to weave the high-brow with the low-brow; many Redhead family sit com them seemed unconcerned with either brow, as long they made us happy.
So, with a focus on quality over nostalgia—no matter how much it hurt—the Paste editors and writers have chosen the best sitcoms of all time. We apologize in advance that one or more of your favorites did not make the list.
You know—like one big, happy, dysfunctional family. At its best, it was a slapstick hit, spinning silly misunderstandings into sitcom gold.
We can only imagine that Tiger Beat subscriptions took a hit that day. The show has a deep memory and an equally deep sense of morality, so its characters are never let Redhead family sit com the hook, even if it takes a few seasons to see how their horrible actions karmically return for their undoing.
Office than the original. Flight of the Concords Years: Starring Jemaine Clement and Bret McKenzie, the show is the story of an awful two-man band from New Zealand who have an incompetent manager the wonderful Rhys Darby as Murray Hewitt and literally one fan the hilarious, obsessive Kristen Schaal as they try to make it big in New York.
Rhymoceros are two terrific examples of the latter. This is a show that you sink into, and that sweeps you along in its own relaxed rhythms, dispensing the sort of calm, surprising laughs that feels almost therapeutic. Redhead family sit com and Tamera Mowry played pre-teen twin sisters who were separated at birth, but discover each other—while shopping at a mall, obviously.
And while it had its Redhead family sit com appeal, what made the show such a gem was that it carefully wove in greater and more complicated issues of family that came about, as the two sisters had both been separately adopted. The series followed the sisters from middle school all the way through high school, making it the kind of show you could grow up with, at least over the course of five years. And sure, it could be corny and idealistic at times, but like other sitcoms on this list it was also entertaining and well-written.
In spite of their odd beginnings, this was about a regular, schmegular black family that was still deemed worthy of our attention and a time-slot. Welcome Back, Kotter Years: It helped skyrocket John Travolta to fame. Primarily, we spend time with four of the students, all of Redhead family sit com broadly drawn, but delightful, caricatures.
The last season is skippable, but, before things began to downhill, it was a nice sitcom that earned its classic status.
Marlon and Shawn Wayans—both relative unknowns with few credits to their names—starred as two brothers who work at a newsstand near a restaurant owned by their father, played by John Witherspoon. Despite the fact that it was very low-concept, The Wayans Bros. A year after The Wayans Bros. Canceling TV shows does. I mean, The Wayans Bros. It was a good show, but we never even got a final episode! The Carmichael Show Years: It regularly tackles serious social and political issues, including gun control, trans Redhead family sit com and Black Lives Matter, during one of the most contentious times in recent history.
If you miss the era of Norman Redhead family sit com sitcoms that were about something more than just making you laugh, you should be watching The Carmichael Show. Happy Endings could have—and should have—lasted far longer than three seasons, but sometimes the TV gods are cruel.
The Big Bang Theory Years: Reruns of the series helped legitimize TBS as a comedy network. It has that broad, populist appeal that shows rarely have these days. Sure, it gets some critical kudos, and Jim Parsons has won about a million Emmys, but it will never be a hip show. The actors involved are all talented, and for every dumb joke delivered, the show provides at least one sharp one. Master of None Years: Instead of pushing the joke quota to astronomical levels, Master of None is content to find poignancy amid Redhead family sit com humor, and if the former outshines the latter, so be it.
The result is a show that is fun to watch, emotionally satisfying and thought provoking. There is Redhead family sit com much to say about this show, and these few hundred words are a pathetic attempt to do it justice.
Master of None was not only one of the best shows ofbut one Redhead family sit com the most important series to premiere in a long, long time. The ensemble cast centered around the kooky Judge and amateur magician Harry Stone, played by Harry Anderson, and the raunchy, slightly corrupt prosecutor Dan Felding Redhead family sit com Laroquette. The Last Man on Earth Years: The shift also gives Forte other people to bounce off of, with his particularly brand of unhinged comedy.
Over the course of two seasons, some of the earlier rough edges have been sanded down, the dynamics of the group have grown in interesting ways, and most importantly, the show keeps getting funnier.
Who knew so much humor could be mined from a series about the vast majority of people on the planet dying off? The show, often compared to Sex and The Citywas a witty, intelligent and sexy exploration of the many facets of black womanhood through the lens of four very different women. During its eight-year Redhead family sit com, Girlfriends was one of the highest-rated scripted shows among African-Americans ages and tackled an endless number of issues, including colorism, AIDS and class issues.
The fourth season of this show—which featured comedy heavyweights like Rowan Atkinson, Hugh Laurie and Stephen Fry—took place during that Great War, but each prior season was set in a Redhead family sit com historical era, with the Black Adder cast poking fun at the Middle Ages, the Elizabethan age and the Regency period. His talent was so apparent that ABC gave him his own show.